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铺采摛文、感物伤情与喻理比德——魏晋动物赋的三种创作方式 被引量:1

The Research on Three Creation Modes of the Animal Fu in Wei Jin Period
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摘要 动物赋在汉代兴起之时,就形成了动物赋创作方式的雏形,但受制于各种因素的拘约,并未取得卓越的艺术成就。至魏晋时,由于社会环境、思想文化、文士心态、动物观念的演变以及赋体文学的自身发展等诸多因素的影响,促使魏晋动物赋迎来了繁荣时代。在这一时期,动物赋的创作方式也逐渐成熟起来,最终形成了铺采摛文以体物、"以己化物,物以情观"与体物以喻理比德三种创作方式,极大地提高了动物赋的艺术表现力,促进了魏晋动物赋的繁荣。 When animal Fu ariseedin Han dynasty,it begined to establish the creation mode. Because of a variety of factorslimited,it couldn‘t obtain theoutstanding artistic achievement. In Wei Jin dynasties,as a result of social cultural environment mutation,the mentalityof authors the concept on animal and the Fuwith describing object had rich achievements,animal Fuushered in the era of prosperity. During this period,the creation methods of the animal Fu was also gradually mature. Eventually,it formed three modes: describe the animal by the graceful vocabulary,"make himself become an animal and describe the animal with emotional feeling "and describe an animal for expressing some truth on philosophy or morality.These modesgreatly improve the artistic expression of animal Fu and considerably promoted the prosperity of animal Fu in Wei Jin.
作者 李高
出处 《兰州学刊》 CSSCI 北大核心 2016年第4期32-36,共5页
关键词 魏晋动物赋 创作方式 铺采摛文 感物伤情 喻理比德 animal Fu in Wei Jin period the modes of creation just describe the animal by the graceful vocabulary "make himself become an animal and observe the animal with emotional feeling " describe an animal for expressing some truth on philosophy or morality
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参考文献5

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