建筑体验的维度:从几何特性到组织规律——评S·E·拉斯姆森《建筑体验》(上)

The Dimension of Experiencing Architecture: From Geometric Feature to Structure Rules

拉斯姆森的《建筑体验》是现代主义建筑的早期反思之作。他认为现代建筑师在学习了现代建筑学的基本原理之后,却设计建造了大量毫无特色的房屋,遗失了过去工匠们所具备的对建筑的场所、材料、自然感受等与人生体验相关的基本常识。他写这部书的目的,就是要恢复建筑和居住中的那些基本常识。该文认为这正是建筑设计的永恒源泉。重温这部经典,该文提出一个以建筑体验维度为中心的解释框架,以便更为系统地疏理和解读拉斯姆森的建筑理论。相信这样既能提升我们对建筑作品的鉴赏评论水平,也能深化我们在方法论层面对"建筑体验"的把握,进而优化建筑创作过程。

The book Experiencing Architecture by Rasmussen can be addressed as one of the early reflection works on modern architectures, in which Rasmussen pointed out that modern architects, though having leant the fundamental principles of modern architectures, have designed multitude of houses with no unique characteristics so as to have lost the common sense of building sites, materials, the natural feelings and life experiences possessed by the ancient workmen. Rasmussen＇s writing purpose is to resume those common senses in structures and residence. This paper asserts that it is just the permanent source of architecture design. In order to reread this classic works, this paper puts forward an interpretation framework centered on the dimension of Experiencing Architecture to systematically assort and interpret Rasmussen＇s architecture theories. By doing so, both our aesthetic appreciation of architecture works and our understanding of ＇experiencing architecture＇ from the perspective of methodology can be improved, it ultimately optimizes our creating process.