摘要
米芾《翰牍九帖》之《面谕帖》和《伯修帖》,实际上是米芾委托友人陈师锡收购王羲之《来戏帖》的信札。多年来,学者多从艺术史和书法艺术的角度对其进行研究。其实在俊美的书法背后,承载的是鲜活的收藏故事,也为我们研究艺术经济史、文化产业史提供了重要的第一手资料。通过这样一个小小的窗口,我们可以窥见崇宁初年,北宋的政治、经济、外交和艺术市场。
Mian Yu Tie and Bo Xiu Tie from Nine Han Du Tie by Mi Fu were actually letters from Mi Fu to his friend Chen Shixi asking him to buy Lai Xi Tie by Wang Xizhi. Scholars have been doing research forlong on this from the angle of art history and calligraphic art. In fact, behind the beautiful calligraphy, there were vivid stories of collection, providing us important first-hand materials forresearch about art economy history and cultural industry history.Through this small window, we can peep the politics, economy, foreign affairs and art market in the first yearof Chongning in North Song Dynasty.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2016年第1期1-5,214,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
米芾
书法
收藏
市场
历史
Mi Fu
calligraphy
collection
market
history