篆刻与中国画关系的当代思辨与启示

Contempory speculation and enlightment of the relationship between carving and chinese painting

在走向纯粹艺术形式的当代篆刻发展格局中,同属于中国民族意识形态的中国画与篆刻的关系日益密切,两者在相互的影响和作用下,产生了内外的发酵。概而论之,一则篆刻与中国画在技法、品评等层面上的融通;二则(金石)篆刻积淀对当代中国画发展传统理念与民族意志的强化与认同。基于此,本文以中国画品评叙述语系及其发展的框架为参照,对篆刻与中国画表现技法与审美品格等方面的关系进行微观地考察,并进一步探讨篆刻视域对延续至今的中国画改革与发展的传统立场的支持。

In the development of contemporary carving to pure art form, chinese painting and carving, both of which belong to Chinese national ideology, become closely related and interact with each to fermentation. In sum, the first point is the accomodation of carving and chinese painting at the level of techniques and evaluation; the second point is reinforcement and recognition of carving with traditional development concept of contemporary chinese painting and national will. Base on the above, with the reference of comment and development of chinese painting, ourpaperinvestigated the relationship of performance techniques and aesthetic qualities between carving and chinese painting microcosmicly, and furtherexplored the traditional standpoint of carving perspective with the reform and development of chinese painting so far.