摘要
自五四伊始,名震遐迩的《新青年》杂志推出了"易卜生专号",在五四新文化运动、文学革命的光辉引领下,易卜生经典戏剧《玩偶之家》的女主人公娜拉在中国的文化语境中便成为一个精神偶像,且对中国现当代文学产生了广泛而深远的影响,巴金《寒夜》中的曾树生便是一个中国式的"娜拉"形象的典型。作为一个有着复杂性格、矛盾心理和丰富内涵的艺术形象,她的出走以及最终的回来,既有积极的意义也反映了人物自身的局限性。
Since the beginning of the May 4th movement,the famous New Youth Magazine launched an era of Ibsen Special issue. Under the guidance of the May Fourth Movement,the Norwegian playwright Ibsen's A Doll's House indeed has a wide influence on Chinese people and the heroine Nora in the context of Chinese culture has become a spiritual idol. The image of Nora also has a far- reaching and widely influence on Chinese modern contemporary literature. A Chinese person Ceng Shusheng can be seen as a typical Chinese Nora with a complex characteristics and rich connotation,the new intellectual women ran away and her final return has a positive significance,which also reflects the character's own limitations.
出处
《鸡西大学学报(综合版)》
2016年第4期122-126,共5页
JOurnal of Jixi University:comprehensive Edition
关键词
《寒夜》
曾树生
“娜拉”
个性解放
Cold Nights
ZengS husheng
Nora
liberation of the personality