摘要
楚国浓厚的礼乐文化氛围与礼制森严的宫廷环境潜移默化地影响了宋玉的文学创作。其《神女赋》对楚王与神女相遇的描写体现出作者"发而皆中节"的"尚和"观以及对中庸之道的追求,《登徒子好色赋》一文对美的定量则包含了礼乐文化中"中和之美"的美学范式,也体现出宋玉辞赋所蕴含的尚和、尚中的礼学思想。
Song Yu＇s literary creation was subtly influenced by the thick cultural atmosphere of ritual propriety and music in the State of Chu and the strict ritual hierarchy in the court. In The Divine Woman,Song Yu revealed his admiration for harmony and the doctrine of the mean. His definition of beauty in Dengtuzi Haose Fu represents an aesthetic model of neutral harmony,and shows his thoughts of rites characteristic of moderation and harmony worship.
出处
《湖南人文科技学院学报》
2016年第2期85-89,共5页
Journal of Hunan University of Humanities,Science and Technology
关键词
宋玉
礼学思想
《神女赋》
《登徒子好色赋》
中庸之道
中和之美
Song Yu
thoughts of rites
The Divine Woman
Dengtuzi Haose Fu
doctrine of the mean
beauty of neutral harmony
