摘要
"笙鼓地"是黔东南苗族的灵魂归宿之地,也是祖灵的起始之地,以焚巾曲的歌唱形式和"阀嘎闹"的巫术形式流传于苗族聚居区。通过介绍《焚巾曲》与"笙鼓地"间的联系,解读其仪式和内容,揭示苗族人的"死后世界",诠释苗族人对未来生活的期望。
＂The land of Sheng gu ＂is last home where every hmong^s soul of the Southeast Qian will go back when they dead. It is spread in hmong settlements by the form of The Song of Burning Handkerchief and ＂ Fa ga nao＂. By introducing the link of both, Unscrambling its＇ ceremony and content, to reveal the Hmong ＂after the death of the world＂,and interpret the hmong expectations of the future life.
出处
《安顺学院学报》
2016年第2期19-22,共4页
Journal of Anshun University
基金
国家社会科学基金重大项目"中国苗族古经采集整理与研究"(项目编号:13&ZD137)中期成果
关键词
苗族
笙鼓地
焚巾曲
阀嘎闹
Hmong
the land of Sheng gu
The Song of Burning Handkerchief
Fa ga nao
