摘要
文章从音域、音区与音色的考量、虚拟与真实的技术统一以及木管乐器演奏技术的MIDI处理手段等三个方面阐述了虚拟木管乐器音序技法,体现出熟练掌握音序技法对于运用虚拟木管乐器模拟真实木管音响的重要性;结合虚拟木管乐器的音色选择、旋律处理、音响均衡和空间层感等要素讨论了其区别于传统木管乐器的配器思维。
On the basis of range, voice area and timbre consideration and technological unification of virtuality and reality as well as MIDI processing methods of woodwinds performance skills, the thesis explores the sequence techniques of virtual woodwinds, illustrates the significance of proficiency in it for producers to manage virtual woodwinds to simulate real woodwinds and discusses its distinctive orchestration idea differing from traditional one combined with some elements including tone choice, melody processing, sound balance, sense of space layer and so forth.
出处
《安顺学院学报》
2016年第2期39-41,共3页
Journal of Anshun University
基金
安徽省高校人文社会科学研究重点项目"基于计算机音乐制作的虚拟乐器音序技法研究"(项目编号:SK2014A342)中期成果
阜阳师范学院人文社会科学研究项目"MIDI音乐制作中虚拟乐器的音序技法研究"(项目编号:2014FSSK13)中期成果
关键词
虚拟木管乐器
音乐制作
音序技法
配器法
控制器
virtual woodwinds
music production
sequence technology
orchestration method
controller