基于豫西地区濒危曲种音乐再创作的思考

Consideration of Re-creating Musical Species on Fringe of Exstinction in Western Region of Henan Province

豫西地区地方曲种丰富,据《中国曲艺志·河南卷》和《中国曲艺音乐集成·河南卷》统计,有河南坠子、大调曲子、河洛大鼓书等40多个本土曲种,声腔各具特色。除河南坠子、大调曲子等全省性的大曲种外,灵宝道情、锣鼓书、扬高戏、洛阳琴书等曲种,在历史上曾有过辉煌,后来被主流文化边缘化,渐成为濒危曲种。从豫西地区濒危曲种的本体音乐特点及声腔研究出发,研究其音乐创作的困境,为豫西地区濒危曲种的音乐创作和表演艺术的发展提供理论架构。

The western area of Henan Province is rich in local music forms,according to the statistics in the books of Chinese folk Chronicles-Henan volume and China Quyi Music Collections-Henan Volume,there are Henan Zhuizi,Dadiao Tune,the Heluo Drum Opera and other more than 40 native yeasts with each own tune features. In addition to the provincial scaled grand tunes as Henan Zhuizi,Dadiao Tune,the Lingbao Daoqing,Gong and Drum Storytelling,Yanggao Drama and Luoyang Qinshu used to be brilliant in history and later became marginalized due to impact of the mainstream culture and have gradually become the endangered species. This paper,based on the research of the ontological characteristics as well as the acoustic study of the endangered music species in the western Henan province,probes into the dilemma of the music creations so as to provide a theoretical framework for the development of the creation and performing arts of the endangered music species in the western area of Henan Province.