摘要
钟鸣的写作,从诗歌到随笔,都形成了对自己整个书写有效的语汇。在他的笔下,身体的萌动与他对身体的克制与思考同时存在,恍惚与界限同时存在。他对语言与身体关系进行了深入的思考,抗拒前者过度的煽动性。而且,他似乎为自己找到了一个梦想,回到物的坚实性与持久性中重新看待那些被夸张、矫饰的语言,或仅仅是因为人们的恍惚,而错失了身体的语言。
Zhong Ming's works,from poems to essays,have formed effective words for all his writings.In his writing,the feeling of body and his thinking and controlling for it coexist at the same time.He has thought deeply on the relationship between words and corporeity and has resisted the former's inflammatory.And it seems that he found himself a dream to pursue,that is to go back to existing substance and reevaluate words that have been exaggerated,over-polished,or words which have lost corporeity because of trance.
出处
《广西师范学院学报(哲学社会科学版)》
2016年第3期14-21,共8页
Journal of Guangxi Teachers Education University:Philosophy and Social Sciences Edition
关键词
钟鸣
身体
语言
恍惚
界限
Zhong Ming
Corporeity
Words
Trance
Limit