从“中年写作”走向“晚期风格”——论欧阳江河诗歌中的“衰老”书写

From “Mid-aged Writing”to“Twilight Style”:On the“Agedness”Writing in Ouyang Jianghe's Poetry

从1989年开始,欧阳江河的诗歌创作自觉地进入"衰老"书写中。这里的"衰老"不仅指诗人在肉体和精神上的变化,还涉及了诗人对诗歌及时代的认识。"衰老"书写是一种诗学观念,指诗人不同于1989年以前的青春期的写作状态,即越来越进入到一种毫不妥协的个人化写作中,而这个过程经历了从"中年写作"到"晚期风格"的强化。在"衰老"书写的诗学观念下,诗人采用了非常理性化的个人时间观来处理"衰老"意象在诗歌中的呈现,使"衰老"的发生具有短暂性和反复性,以此体现文本内部的张力,也更加符合"衰老"书写看待事情的眼光。而这种对"衰老"的细节处理最终促使了诗歌情绪色彩的形成,这种情绪色彩也伴随着诗人风格的强化,经历了从哀悼到紧张的转变,并最终使诗人越来越接近于他想要达到的"晚期风格"。

Since 1989,Ouyang Jianghe＇s poetry has stepped into a stage of＂aged＂writing.Here,＂agedness＂doesn＇t only refer to physical and mental changes,but also refer to the poet＇s understanding of poetry and eras.＂Agedness＂writing is a concept of poetics which implies a different writing state compared with his writing in his youth.＂Agedness＂writing shows the poet has entered an individualized uncompromising writing process,within which the poet＇s writing has reinforced from＂mid-aged writing＂to＂twilight style＂.With the guidance of＂agedness＂writing,the poet adopts an extremely rational view of time to process＂aged＂images in his poems to make sure the temporariness and repeatability of the＂aged＂occurrence,which is to reflect tension in literature.＂Aged＂detail processing will eventually lead to the formation of poetic emotional color,which will change with the poet＇s style reinforcement,go through a transformation from grief to intense,and finally will get closer to the poet＇s desired＂twilight style＂.