经验·形式·道德——高友工美学论域中的“抒情诗”辨

Experience,Form and Morality:On Yu-kung Kao's Lyrics

在"中国抒情传统"奠基者高友工的美学论域中,以"抒情"命名的中国古典诗,绝不可以简单理解为"以抒发感情为内容的诗歌"。高友工从西方现代主义美学汲取"经验"和"形式"因素,又从中国儒家诗学继承"道德"理想,从而在"自我现时经验"、"内化的形式"、"道德理想之体现"三个层面定义"抒情诗",显现出其化合中西美学的探索心迹。高氏定义的"抒情诗"本质上是对中国古典诗歌的一个现代再发现。

From Yu-kung Kao＇s aesthetical perspective,who is the founder of＂Chinese Lyrical Tradition＂,Chinese classical poetry entitled＂Lyrics＂cannot be absolutely understood as simple＂Lyrics＂to express one＇s emotions. Yu-kung Kao absorbs＂experience＂and＂form＂from western modernism while inheriting＂morality＂from Chinese Confucian poetics. Thereby the tri-facial＂Lyrics＂,exploring a mixture of Chinese and Western Aesthetics,is identified by＂self-timely experience＂,＂inner form＂and＂embodiment of morality and ideal＂. Kao＇s definition of Lyrics is a modern re-discovery of Chinese classical poetry.