文革电影的身体意识形态

The Body Ideology of the Chinese Cultural Revolution Films

在文革电影中,身体成了一种绝佳的修辞装置。无论是好人的身体还是坏人的身体,男人的身体还是女人的身体,伟人的身体还是常人的身体,都是被政治意识形态化了的身体,与政治意识形态无关的属性都被抽空,这就是文革电影体现出的身体意识形态。具体表现在无欲化、脸谱化、中性化、死亡奇观化等诸多方面。人们不该忘记这段身体史上的创伤和灾难,这对当下的文艺作品构建和谐的身体美学亦不无启发。

The human body has become a kind of perfect rhetorical device in the films of Chinese Cultural Revolution. Whether the body of the good or the bad, a man or a woman, a great man or an average man, is the body of ideological politicalization. The body ideology of Chinese Cultural Revolution period films, the property of which is full of political ideology, is specific in many respects such as desire-lessness, facial design of characters, neutralization, marvelous sight of death, etc. People shouldn＇t forget the traumatic disaster of the body history, which can be a profound and lasting revelation to the physical aesthetics built by the current literary works.