装置的“泛化”与“日常化”

Installation's "Generalization" and "Routinization"

"日常化"与"泛化"作为当代装置的一种普遍现象,也正吻合了中国当代艺术的性质。装置艺术存在和价值体现已经在某种程度上由"观念"和"经验"中走出,物体的呈现将现实遮蔽,传统意义上的装置越来越将"现实"挪移到博物馆与传媒联姻构成的"展示"空间中,成为一种"剧场性表象",而更多日常化、泛化的装置只是成为美学消费品。

'Generalization' and 'routinization' become a normal phenomenon of contemporary installation, and it just fit the nature of Chinese Contemporary Ar t. The existence and value embodiment of installation art has escaped away in a cer tain extent from 'idea' and 'experience', and the presentation of objects covers the reality, so installations in the traditional sense move the 'reality' into the 'showing' spaces constructed by museums and media, and they become a kind of 'theatrical appearances', so that the routinized and generalized installationsjust become aesthetic consumer products.