摘要
人们常常认为王维的画史地位在晚明时期达到了巅峰,但实际上这一地位的建构是经历了近千年的历史,晚明文人眼中的王维显然不是唐代的真实形象。王维在唐代史料中是一个怎样的面目呢?这是本文试图要探寻的话题。
People often think that Wang Wei's status in the painting history peaked in the late period of the Ming Dynasty, but in fact the construction of this status of his is experienced nearly a thousand years of history, and the Wang Wei in the eyes oflate Ming literati obviously was not the true image in the Tang Dynasty. What did Wang Wei look like in the historical materials of Tang Dynasty? This is what this paper is attempting to explore about.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2015年第6期41-44,共4页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
2011年度国家社会科学基金艺术学青年项目<王维画史研究>阶段性成果(11CF110)
关键词
王维
诗文
书画
禅宗
唐五代画史
Poetr y
calligraphic painting
temperament
Zen
painting histor y of the Tang Dynasty and the Five Dynasties