当代俄罗斯戏剧出版在中国

On Publication of Contemporary Russian Drama in China

在半个多世纪的跨文化传播和跨语际实践中,当代俄罗斯戏剧的汉译出版具有鲜明的时代性和阶段性,呈现出充满意识形态纠葛、文学艺术魅力和主体接受传统的多重面向。20世纪六、七十年代,当代俄罗斯戏剧出版带有强烈政治倾向和意识形态色彩,黄皮书和批判册子等"内部出版物"成为时代标志;八、九十年代呈现出戏剧集与电影剧本并重、戏剧经典与艺术审美同在的时代特色;21世纪之初则呈现出剧作选与专业期刊联袂、戏剧经典与戏剧新貌共生的时代趋向。当代俄罗斯戏剧汉译出版与当代中国社会态势、中俄文化关系、文化传统特点以及时代主流话语等因素密切相关,大略经历了政治崇高意识逐次降阶反思、主流意识规训向个体诗意建构不断嬗变的话语谱系,也显示出20—21世纪之交政治乌托邦向文化反思、国家集体意识向个人消费主义艰难转型的幽微路径。

In the cross-cultural communication and translingual practice of more than half a century, the translation and publication of contemporary Russian drama in China has its obvious characteristics of the times and phases, and shows multiple ideological dimensions, aesthetic charm and Chinese tradition. In 1960s-1970s the translation and publication of contemporary Russian drama in China manifested a strong political and ideological inclination, and ＂internal publications＂ such as the yellow book and critical pamphlet become markers of the age. The period of 1980s-1990s was characterized by the publication of drama collections and film scripts and the study of both classical drama and artistic aesthetics. The beginning of the 21th century witnessed the collaboration between selection of dramas and scholarly journals, and the coexistence of old and new dramas. Contemporary Russian drama translation and publication in China have been closely related to many factors, such as contemporary Chinese social situation, Sino-Russian cultural relationship, cultural tradition and mainstream consciousness of the time. In short, the publication of contemporary Russian drama in China has generally shifted from the emphasis on mainstream consciousness and discipline to the individual poetic construction. Meanwhile, it shows difficult transformation from national collective consciousness to personal consumerism consciousness at the turn of 20th-21st centuries.