摘要
《灯火》《家园》《阿诗玛》是云南省第十三届新剧目展演中的三台音乐类剧目。《灯火》是首次把花灯唱段的单旋律用民族管弦乐合奏辅以合唱的专业音乐会形式搬上舞台,这台似新生儿般的尝试性音乐会,值得肯定和鼓励,初现开拓精神;《家园》由五位云南老作曲家的五部颇有分量的云南少数民族题材交响音乐作品构成,是为交响音乐中国化、民族化、云南化作出的一大举措,尽显专业水准;《阿诗玛》是由民营企业以市场化方式打造的,用属于流行音乐范畴的外来音乐剧形式来演绎具典型少数民族性格之经典题材,是传统与现代、民族与时尚、艺术与市场相结合并不墨守成规的新锐作品,展示创新胆识。三台晚会在继承、发展、创新方面均各有不俗的表现。但在可持续发展和创新手法上也有值得探讨的地方。
Lights, Home and Ashima are the three music operas in the Thirteenth Yunnan New Drama Show. Lights for the first time puts the melody of lantern festival opera on the stage in the form of professional or- chestral music and choral; such fresh experiment of music demonstrates pioneering spirit and is worthy of recognition and encouragement. Home consists of five influential Yunnan Minority -themed symphonic works by five senior composers; it is an important move to nationalize and localize symphonic music, fully reaching professional standards. Ashima is created by a private enterprise through marketing; as it is about a typical story of ethnic minority and is performed through foreign pop music opera, it combines tradition and moderni- ty, ethnicity and fashion, art and market, and is by no means an old- fashioned work. The three shows have done very well in inheritance, development and innovation, but there is still some room for innovation and sustainable development.
出处
《民族艺术研究》
CSSCI
2016年第2期99-102,共4页
Ethnic Art Studies
关键词
云南民族音乐
新剧目
继承
发展
创新
Yunnan ethnic music, new drama, inheritance, development, innovation