孙舞阳:一种在革命洪流中奋力搏击的女性姿态——兼论茅盾对革命知识女性的认知

Sun Wuyang:A Female Posture Fighting in the Tide of Revolution——On Mao Dun's Cognition of Revolutionary Female Intellectual

20世纪80年代,出现了研究茅盾文学作品中的女性形象的高峰。其研究主要有两种思路,一是站在客观的立场上继续讨论人物形象与政治的关系;二是站在性别的视角笼统地认为男性作家在描写女性时大多犯了"男性臆想"的毛病,尤其是《蚀》中那些引人关注的身体描写更是如此,且不说这种论调中肯与否,至少这种不加区别的评价会抹煞那些真正为女性代言的男性写作。笔者认为要解读茅盾早期作品中的女性形象,至少应该理清三个问题:一是作者塑造以孙舞阳为代表的革命女性的原因,二是作者怎样看待革命女性的身体,三是她们的文学意义在哪里。

In the eighty＇s of twentieth century,the study of the female images in Mao Dun＇s literary works reached the peak.The research mainly has two ideas,one is standing on the position of the objective to discuss the relationship between the characters and politics;another is standing in the perspective of gender generally think most male writers had＂male fantasy＂ in describing women,among which the eye-catching body description in＂Eclipse＂ was especially evident.And not to say that this argument is to the point or not,at least this evaluation without distinction will obliterate those real male writing on behalf of women.The writer of this paper believes that to interpret the image of women in Mao Dun＇s early works,at least three issues should be clear.One is why the author portrays the revolutionary female represented by Sun Wuyang;the second is how does the author treat the body of revolutionary females;the third is what are their literary significance.