被观看的逃亡,残缺的女性叙事——对《末路狂花》的再解读

Escape by watching,Incomplete female narrative——Reinterpretations of Thelma and Louise

随着女性主义的发展,其理论、思想被越来越多地运用在电影的生产与批评中。影片《末路狂花》颠覆了传统好莱坞电影中的女性形象,获得票房和口碑的双收,成为女性主义的代表作品。但在对电影文本进行细究时,却发现女性主义在电影中贯彻地并不彻底,其中暗藏的矛盾甚至十分尖锐。本文试图通过对《末路狂花》的考究,借助性别研究中"窥视"理论,说明男权社会下女性叙事的残缺性。

With the development of feminism,the theory and thoughts have been increasingly used in the production of films and criticism. The film of Thelma and Louise subverts the traditional female images in the Hollywood films,wins the success of box office and gets the public praise,becomes a feminist representative works. But during the scrutiny of film text,the author finds that feminism is not completely implemented in the movie,the hidden contradiction is even very sharp. This article attempts to explain the incomplete female narrative in a man- dominated society through research of Thelma and Louise,using ＂ peeping＂ theory in gender studies.