也说张若虚《春江花月夜》——被当乐府的非乐府

On Zhang Ruoxu's A Moonlight Night on the Spring River——A Mistaken Folk Poem

张若虚作为"吴中四士"之一,其才情在当时应是高妙的。但是,张若虚在文学史上留下的作品只有《春江花月夜》和《代答闺梦还》两篇,这不免有些遗憾,然而有"孤篇压全唐"之作也应是遗憾中的一丝欣慰。文章从"乐府"、"横纵比较"两个方面进行论述,得出张若虚《春江花月夜》是其"诗心、诗情、诗才"相结合的产物,是一首独立的,纯粹的,高妙的写景抒情诗而不是乐府诗。

Since Zhang Ruoxu was widely acclaimed as one of the Four Masters in Southern Yang-tze Territory at that time, his literary talents must be great.It is a pity that only two of his poems, A M oonlight Night on the Spring River and M issing M y H usband Stationing in the B order survived the history of literature. However, it is also a relief that the former outperformed all other poems produced in Tang Dynasty. The article makes a comparative study of this poem with folk poetry, and reveals that Zhang's masterpiece is a product of his whole-heartedness,inner-most feeling,and genius, and is purely a scenery lyric poem, totally different from folk poetry.