“崇高”的召唤:农民、农民起义与革命——“十七年”电影革命历史叙事的一种维度

Peasant,Peasant Uprising and Revolution:the Narrative of Revolutionary History in “Seventeen Years ”Films

农民在"十七年"电影中不再是启蒙视角下国民性批判的对象,而是以"历史的主人"的精神面貌示人。为了维护劳动的尊严和劳动者的权益,农民必须凭借暴力革命去摧毁让社会强弱结构固化的不公正制度,扭转旧的权力格局中的被剥削地位和道德上的被批判处境。农民破坏旧世界的主观能动性和历史实践活动在"十七年"电影中得到史无前例的强调和突出。不过,农民形象仍然拘囿于数字化、工具化的存在,未释放出个体人格应有的感性魅力。

Peasants are no longer a target of national criticism in the light of enlightenment but emerge as the ＂masters of history＂ in the ＂Seventeen Years （1949-1966）＂ Films who must destroy the unfair social system that would consolidate the fixed structure of the strong and the weak with violent revolution to defend the dignity of labor and the interest of laborers and to change the role of being explored and criticized in the old-power structure. The subjectivity and historical practice of devastating the old world were unprecedentedly highlighted in these films. However, the images of peasants in them still are confined to be digital or instrumental without displaying individual charisma.