摘要
俄罗斯作曲家斯克里亚宾在其短暂人生的音乐创作道路上极其矛盾和复杂,多半是不被人理解并遭到非议的,甚至他的复调老师安东·阿连斯基都难以接受他的创作想法,以至于没能在莫斯科音乐学院以作曲系学生的身份毕业。斯克里亚宾早期呈现仿效式创作特征,其民族主义风格、象征主义概念以及神秘主义概念备受争议。他的导师萨福诺夫做了大量的工作,是推动斯克里亚宾音乐的第一人,俄罗斯的钢琴家们相继录制他的作品,向全世界展现其音乐魅力。
The short life of Russian composer Alexander Nikolaievitch Scriabin was quite complex and controversial in terms of music composition. He hadn't graduated from Moscow conservatory as a music composition major, for his polyphony tutor Anton Stepanovich Arensky didn't accept his composition concepts, in the early stage of his career, his pieces were characteristic of imitation, with his ideas of nationalism, symbolism and mysticism at the core of controversy. His academic tutor Safonov made great contribution to the spread of Scriabin's pieces. Russion pianists have been presenting the world with the charm of his music.
出处
《艺术探索》
2016年第2期118-121,共4页
Arts Exploration