摘要
自现代艺术产生以来,艺术家对于媒介的关注就从未消退。当代艺术更是将媒介推到更重要的地位。本文以吉晶的影像作品《一秒后》为例,根据格罗伊斯的理论,简要分析媒介在当代艺术中的作用和地位:作品中的新闻图像在历经多个媒介转换之后,逐渐消解了意义。而媒介本身则凸显出来。艺术家对媒介的重视,体现了当代艺术对现代艺术的某种继承。
Since the emergence of modern art, artists' attention to media has never decreased. Contemporary art has even promoted media to a more important position. Taking Ji Jing's video work After One Second as an example, and based on the theory of Boris Groys, this thesis gives a brief analysis of the role and status of media in contemporary art: after the news images in the work undergo numerous media transformation, their meanings are gradually dissolved, and media themselves have come to the fore. The importance artists attach to media embodies some elements contemporary art inherits from modem art.
出处
《天津美术学院学报》
2015年第8期90-93,共4页
Northern Art:Journal of Tianjin Academy of Fine Arts
基金
教育部社科基金项目"图像知觉的范式及其历史变迁"(批准号:13YJA760074)阶段性成果