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雄伊的意义

Significance of Xiongyi
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摘要 李雄伊作为一位青年画家不拘成法,以自由奔放的笔触诉说自己的内心世界,创作了大量洗尽铅华的作品。对于其艺术成就因年龄的缘故暂存而不论,但他的创作状态确是当下画家需认真借鉴的。市场化的环境下,许多艺术家迷失了方向,把画笔变成了逐利的工具,对内心情感的表达让位于世人的观感。丁宁先生在文中对画家的评论其意义所在亦有对画界的些许期待,希冀画家在前进的路上不要"丢失追求的目的而不自觉"。对于李雄伊之所以有这样的创作状态,赵维萍的文章给出了答案。我们希望读者通过对李雄伊作品的解读,以自己的理解与两篇评论文章相印证,会对绘画的意义有新的认识。 As a young painter, Li Xiongyi is not subject to any established rules; he expresses his inner world with a free and bold brushwork and creates numerous clean and pure works. Given his age, it may not be the right time to talk about his achievements, but his creation status is indeed something that today's painters should learn from. In this marketized environment, many artists get lost, turn their brushes into the tools to pursue benefits, and surrender the internal expression to the public's feelings. The significance of Mr Ding Ning's commentary towards the painters in this article lies in the expectation to the painting community: hoping the painters will not 'lose the objective they pursue without being aware of it' on their way forward. As for why Li Xiongyi has such a creation status, Zhao Weiping gives an answer in her article. We hope that through the interpretation of Li Xiongyi's works, readers will compare their own understanding with the two commentaries and forge a new understanding on the significance of painting.
作者 丁宁
出处 《天津美术学院学报》 2015年第9期74-75,共2页 Northern Art:Journal of Tianjin Academy of Fine Arts

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