摘要
杨显惠的《甘南纪事》因其独特的视角和题材引起了学界的广泛关注,他以简洁的故事引领读者发现迷失的甘南,不仅描绘出甘南壮美的自然风光,同时也写出了故事隐喻之下的生存焦虑,即甘南藏区人民在由传统走向现代的转型中,所面临的自然生态与精神生态同时遭到破坏时的隐痛。小说通过十二个短篇从自然生态、精神生态以及宗教情怀等方面对藏区人民的生存现状加以展示,表现这些朴素真挚的故事背后所蕴含的对于民族风貌及民族精神日渐消退的叹息之情,艺术风格上也因虚构和真实的内在张力而显得独树一帜。
Because of its unique perspective and theme,Gannan Chronicle by Yang Xianhui has aroused the extensive attention of the academe.He leads the readers to find the lost Gannan by simple stories.He not only describes Gannan's magnificent natural sceneryies,but also writes the survival anxiety under the story metaphor that Gannan Tibetan people have to face the dull pain when both their natural ecology and spiritual ecology are destroyed at the same time during the transition from the traditional world to modern society.The novel attempts to show the survival status of Tibetan people by such aspects as natural ecology,spiritual ecology and religious feelings in twelve short stories,in order to show the feeling of signs about the fading national style and spirit behind the simple and sincere story.Meanwhile,the artistic style also marches to a different drummer because of its fiction and real inherent tension.
出处
《兰州交通大学学报》
CAS
2016年第2期25-29,共5页
Journal of Lanzhou Jiaotong University
关键词
自然生态
精神生态
宗教情怀
艺术风格
natural ecology
spiritual ecology
religious feelings
the artistic style