摘要
建筑与音乐都是关于时间的艺术,随时间变化的感官信息序列在大脑的识别处理下,形成令人满足的审美经验是它们其同的特点。关于建筑与音乐的联系,借喻式的叙述已经很多,我们在此无意重复。抛开所有借喻的成分,如果以时间为基准,来对建筑和音乐的形式合成进行结构性的观察,可以发现一些共通的模式。第一种模式是填充性的模式,或者说,建筑形式或音乐形式在既定内容的引导下,对既定的时间进行有明确目的的填充。
Both architecture and music are arts that are based upon time. Human organs feed sequences of sensory information to the brain, which are then processed and converted into satisfaction in aesthetic experience. There have been all kinds of quotes that address the metaphoric link between architecture and music, We are not interested in them though. What we are interested here is the structural inspection into the synthesis of forms in architecture and music, using time as the tool. This inspection reveals some common modes.
出处
《世界建筑》
2016年第2期14-15,共2页
World Architecture
