摘要
一般认为“二言诗”是诗歌发展的源起。本文通过考索，认为“二言诗”和“二言句”不同，“二言诗”应该从“诗体”的“韵律要求”角度来界定和辨析，具体到如《弹歌》一类的原始歌谣，“二言诗”的概念在诸多方面都显得扦格不谐。对早期歌谣和稍晚成熟诗歌的描述立场是不同的，这启发我们重新审视“二言诗”的问题。
It is generally believed that ＂ Er Yan Shi＂ is the source from the development of poetry. Through analysis of ＂ Er Yah Shi＂ and ＂ Er Yan Ju＂, ＂ Er Yan Shi＂ should change from ＂ Poetry＂ and ＂ rhythm requirements＂ to det^ne the angle and discrimination, specifically as to ＂ Ode＂ category original songs, the concept of ＂ Er Yan Shi＂ from many aspects of stem cells have become discordant. Early position is described later mature songs and poetry are different, which inspires us to re-examine the ＂ Er Yan Shi＂ issue.
出处
《理论界》
2016年第4期117-123,共7页
Theory Horizon
