《斯普特尼克的恋人》中“故事”的叙述力量

The Story's Power in the Narration of The Sputnik Sweetheart

《斯普特尼克的恋人》是日本作家村上春树1999年发表的一部长篇小说。其中部分情节来自短篇《食人猫》。对于村上而言,这部作品与《地下》及《在约定的场所:地下2》一样都是处于创作转换时期的作品。本论文通过与短篇作品的对比,分析其中叙述视角的变化、故事的安排策略及其与主题生成之间的关联。长篇作品中叙述视角的变换从外部给作品带来全新视觉感,可以多方位地帮助传达小说的内核—故事。而作家笔下的故事通过共鸣,治愈人们的孤独,同时也直抵人心,促使人们对自己内心深处的反思。

The Sputnik Sweetheart is a full-length novel written by Haruki Murakami in 1999. The partial plot comes from Murakami＇s short story Man-Eating Cats. To Haruki, the Sputnik Sweetheart is also one of his conversion period works, along with his nonfiction pieces Underground and Underground 2.This paper will analyze the changes in the viewpoint of the story narration, the arrangement of the story elements, and the relations with the subject in comparison with the short story. The changes of viewpoint in the narration of the long story provided the story with a different view, and helped convey the story,which is the most important aspect of the novel. Murakami＇s stories can cure everyone＇s loneliness by striking a responsive chord in the hearts of its readers, leading them to profound self-reflection.