摘要
在学界对1930年代中国话剧史的描述中,马彦祥只占据了一个边缘的位置。但是,通过对马彦祥1930年代话剧活动的追踪可知,通行的这幅由几位话剧大家和一些影响较大的话剧活动所展现的话剧史图像,其实远未穷尽历史的丰富性。在这一意义上,马彦祥堪称一个有意味的"刺点",构成了重识1930年代中国话剧场域之复杂性的一个有效的角度。
Common descriptions of Chinese drama during the 1930 s from the academic circles have become fixed and unchangeable with the least to be added to. Though Ma Yanxiang is in a rather marginal position of Chinese drama history,retrospection of his drama activities during the 1930 s still indicates that the stereotypical picture of drama history unfolded by the few drama masters and the few influential drama activities is far from exhausting the richness of history. In this sense,Ma is to be seen as a kind of meaningful "point",functioning as an effective perspective for us to rethink the complexity of the fields of Chinese drama during 1930 s.
出处
《山东师范大学学报(人文社会科学版)》
2016年第2期53-71,共19页
Journal of Shandong Normal University(Humanities and Social Sciences)
基金
作者主持研究的山东省社科项目"山东现代文学的实存与传播研究"(14DWXJ02)的阶段性成果