摘要
电影融合多门艺术元素,是美学研究重要门类之一。符号美学在电影作品中获得广泛运用,对于电影作品而言,具有非常深远的影响。符号美学理论经过不断的积累及沉淀,目前已经较为成熟,文章通过对其进行梳理及研究,对影片中一些细节进行逐步解析,据此探寻贾樟柯电影《山河故人》的符号运用规律,解读贾樟柯明显的作者电影里,符号美学的相互交织,和超现实符号运用,进而有助于对该片独特视角下的东方美学进行展现。
Film is one of the important categories of Aesthetic Research, it fuses multi-art element. Aesthetics symbol was widely used in films; it has a very profound impact on films. After continuous accumulation and precipitation, aesthetics symbol has been more mature. By combing and researching, analysis the details of the film, and pursuant to explore JIA Zhang-ke film ＂mountains may depart,＂ the use of symbol laws, the interpretation of JIA Zhang-ke obvious on film, intertwine of aesthetic symbol, the use of surreal and symbolic, and then contribute to demonstrate the unique oriental aesthetics Perspective.
关键词
电影符号美学
叙事
表意
aesthetics symbol of film
narrative
ideographic
