摘要
文章以普桑《阿卡迪亚的牧人》这一绘画作品为切入点,结合图像学理论,从性别和观看模式的角度浅析这一作品。
The article will with painting of Poussin＇s ‘The Arcadian Shepherds＇ as the breakthrough point and combine with the Iconology theories, analyzing the painting from view of gender and viewing mode.
关键词
可见性
不可见性
文化语境
visibility
invisibility
cultural context
