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基于后殖民主义的《轻轻摇晃》主题分析 被引量:1

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摘要 《轻轻摇晃》是许泰丰执导的第一部剧情长片,该片成功斩获了2014年圣丹斯电影节最佳摄影奖。作为一个在不同文化间辗转成长的电影导演,许泰丰的电影不自觉地流露出关注于文化间的隔阂和差异的倾向,《轻轻摇晃》就是近些年许泰丰跨文化创作视域之下的集大成者。本文以后殖民主义理论为基础,从影片的内容、影片的文化呈现角度展开,试图探究后殖民主义视域之下的《轻轻摇晃》的文化主题。
作者 袁义
出处 《电影文学》 北大核心 2016年第10期136-138,共3页 Movie Literature
基金 河北省教育科学"十二五"规划立项课题(课题编号:13051150) 主管单位:河北省教育科学规划领导小组办公室
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  • 7We are living through the third great power shift in modern history. The first was the rise of the Western world, around the 15th century. It produced the world as we know it now-science and technology, commerce and capitalism, the industrial and agricultural revolution. It also led to the prolonged political dominance of the nations of the Western world. The second shift, which took place in the closing years of the 19th century, was the rise of the United States. Once it industrialized, it soon became the most powerful nation in the world, stronger than any likely combination of other nations.During this Pax Americana, the global economy has accelerated dramatically. And that expansion is the driver behind the third great power shift of the modem age: the rise of the rest. Zakaria, F. (2008). The rise of the rest. Newsweek, May, 12, 24-31.
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  • 10In social life, cultural identity is always associated with a particular model of cultural, it shows the degree of confirmation of their common culture between members of a culture, it is the symbol for individuals and groups to self-defined, distinguish the differennt other and strengthen their cohesion in the same sense of cultural content into a common group. Mouica Shelly, ed. , Aspects of European Cultural Diversity (London, UK: Routledge, 1995), p. 1194.

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