摘要
通过"视觉"图像为国君的灵魂在地下世界安宅立家,以使其长久永生。这一传统在东周时期已经比较成熟。无论是春秋时期楚国大臣鬻拳葬楚文王于地宫等文献信息,还是湖北随县的战国初期曾侯乙墓,抑或是陕西凤翔出土的春秋晚期秦雍都一号陵园1号大墓,其所呈现的为死者营造"地下宫殿"的主题都是较为明显的。此种图像表现也直接对秦汉时代帝王陵墓的营造产生了一定影响。
The tradition of visual image to constructing underground-palace became established in Eastern Zhou Dynasty. The underground-palace Yu-Quan buried King Wen of Chu in,the tomb of marquis Yi of Zeng of the early warring states in Sui county in Hubei province,the No. 1 cemetery of Yong capital of later Spring and Autumn Dynasty in Fengxiang in Shanxi Province, had obviously presented the subject of underground-home and underground-palace. Meanwhile these visual expressions also had a profound effect on the building of Emperor mausoleum in Qin and Han Dynasties.
出处
《广东第二师范学院学报》
2016年第2期97-105,共9页
Journal of Guangdong University of Education
基金
教育部人文社会科学研究青年基金项目:美术史视野中秦汉时代的"天下"观(15YJC760066)
关键词
东周
君主陵墓
“视觉”图像
思想
“地下宫殿”
Eastern Zhou Dynasty
mausoleum of emperor
"visual image"
idea
"underground palace"