丝路·走廊：多民族命运共同体文化空间启示--河湟花儿多元口头传统“各美其美”到“美美与共”一体聚合力的历史实践

Silk Road-Corridor: Enlightenment from Multi-ethnic Community and Cultural Space——Taking He Huang Hua'er as an Example

本文试从人文地理学、音乐人类学视角,通过"族际共语"的河州花儿语言以及对当今汉、土、回、藏等民族代表性歌手分别演唱《直令》一曲描写,对花儿做诗学、音乐角度比较、体察,期望实证各具母语的多族群如何通过"各美其美"花儿演唱的同时,达到彼此心灵、情感上"美美与共"的认同史实。其往昔随遇形成各民族"嵌入式"多圈层生活"底层"的文化构成,为当今多元文化民族关系,一带一路愿景呈现着先贤们的经典启迪。

Nowadays, Hai Dong, Jinghai and Linxia, Gansu, occupy ＂the golden parts＂in the one-belt and oneroad, which were called He Zhou and He Huang in the Ming and Qing Dynasties. The farmers and shepherds used to live and work together in these places, and from year to year, in order to express their feelings, they created Hua＇er and Shaonian, the sound part of which were called ＂Quling＂, and the written part of Hua＇er and the sound part of Shaonian, as well as the worship of mountain＇s god, etc, comprised of the multi-level＂cultural space＂. These activities interacted with each and formed the＂inter-ethnic group discourses＂to express their feelings of heart. This paper tries to, employing perspective of human geography, and musical anthropology, make a comparative analysis of the melody of music ＂Zhiling＂performed by different singers form Han, Tu, Hui, and Tibetans and helps to investigate how different ethnic groups achieve a common identity by singing these songs.From the One-belt One-road landscape we can see theses cultural elements are typical source of enlightenment from our ancestor and through which we can understand the multi-cultural relationship and common cultural identity based on singing of these songs.