摘要
著名巴松管演奏家、教育家刘奇教授在巴松演奏上拓展出的数级高音、双吐、三音吐、循环换气、和弦音等技法为国内同行所瞩目。由他改编的巴松独奏曲《琼花幻想曲》、《草原英雄小姐妹》等,拓宽了本土艺术的疆域并带来了全新的艺术体验,可尊为西洋乐器本土性表现"洋为中用"之典范。
Professor Liu Qi, outstanding bassoon player and educator, expanded several skills and techniques of playing bassoon such as double tonguing, triple tonguing, circular breathing and chord tone drawn the attention of the world. He adapted bassoon solo pieces of Qionghua Fantasy and Prairie Heroic Little Sisters broadening the boundaries of local art and brings a new artistic experience, for Western musical instrument performance Chinization it regarded as a good example of "make foreign things serve China".
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2016年第1期162-168,共7页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
巴松
刘奇
演奏技术
循环换气
双吐
bassoon, LIU Qi, playing technique, circular breathing, double tonguing