摘要
对近代中国"最早的唱片"的内涵主要有三个层面的理解:一是指包含有中国内容的最早唱片,二是指包含有中国内容且在中国境内灌制并发行的最早唱片,三是指包含有中国内容且由知名中国艺人在中国境内灌制并发行的最早唱片。由于认定的标准有差异,故有关近代中国"最早的唱片"的界定存在分歧。本文对以上有关近代中国"最早的唱片"的界定逐一爬梳剔抉,参互考寻,以期为廓清中国老唱片学术史的源头提供参考。
There are three levels of understanding of the connotation of the earliest music album of modern China: one is that the earliest music album which contains the related-China contents, one refers to the earliest music album which was related to China and cut in China, the latest understanding refers to the first music album which was related to China, cut by the famous Chinese artists and released in China. Because of the different recognized standards, the definition of the earliest music album of modern China is different. In this paper, the author sorted and selected the definitions of the earliest music album of modern China one by one, using the relevant data for reference and discrimination, in order to provide a reference source for the clearance in Chinese academic history of old recordings.
出处
《图书馆杂志》
CSSCI
北大核心
2016年第5期95-100,共6页
Library Journal
基金
教育部重点研究基地上海师范大学都市文化研究中心重大课题(项目编号:2009JJD840013)子项目阶段性成果之一
上海大学上海电影学院戏剧与影视学博士后流动站启动基金项目
关键词
近代中国
最早的唱片
考述
Modern China, The earliest music album, Review