在一派天然之中孕育——赵树理的早期作品分析

An Analysis of Zhao Shuli's Early Works

1943年《小二黑结婚》的发表标志着赵树理创作的成熟,因此1943年可以作为赵树理创作中的一个重要分界点。赵树理的创作一直以来被"赵树理方向"的官方说法限定,被视为意识形态动力的产物。这既使得赵树理一夜之间爆得大名,也使得人们对赵树理作品的认识一直存在某种偏见。因此对赵树理1943年以前早期作品的分析成为势在必行的一项学术清理工作。赵树理身在新旧时代交接的特定历史情境中,"文摊"的文学理想对于赵树理来说是自然而然的选择。而赵树理的早期作品尽管与意识形态有紧密的联系,但并未受到意识形态的明显规训,纯然是在一派天然之中的孕育。

As the publication of The Marriage ofXiao Erhei in 1943 marks the maturity of Zhao Shuli＇ s liter- ary creation, the year 1943 can be deemed as an important demarcation point in Zhao Shuli＇ s literary creation. Zhao Suli＇ s literary creation, always qualified by the official statement of ＂Zhao Suli＇ s direction＂, has been con- sidered the product of ideological power, which accounts for Zhao＇ s overnight reputation and for some long-standing prejudice in the understanding of his works. In view of all this, it is academically necessary and imperative to ana- lyze Zhao Shuli＇ s literary works prior to 1943. In consideration of his living in the specific historical context of transition from the old era to the new one, Zhao Shuli＇ s pursuit of the literary ideal of folk traits is a natural one ; while Zhao＇ s early works, despite their intimate link with ideology, are pure and unrestrained, quite beyond the obvious discipline of ideology.