“新时期”小说电影改编的几种现象分析

On the Phenomenon of the“ New Period” Fictions' Film Adaption

1980年至2009年,中国的电影改编主要以"新时期"传统小说为主,"新时期"传统小说所具有的先锋色彩主题及其文学实验,促使中国导演在电影改编过程中对文化、人性进行深刻思考,尝试进行电影艺术的先锋实验,推动了中国电影的现代化进程。2011年以后,网络小说的电影改编热达到高潮,电影改编出现两个新现象:作家的品牌效应、粉丝电影的诞生,推动了中国电影的商品化进程。

The film adaption in China is mainly based on the ＂New Period＂ traditional fictions from 1980 to 2009. With their pioneer colors in topics and literature experiments, the ＂New Period＂ traditional fictions promote Chinese directors to deepen their thinking about culture and humanity in the process of adaption. They also promote the Chinese director＇s pioneer experiment in film art and advance the modernization of Chinese films. Since 2011, the adaption of network fictions has reached its climax and introduced two new phenomena, namely, the brand effect of writers and the appearance of fan movies, to film adaption and thus promoted the commercialization of Chinese films.