摘要
近代水泥花砖是中西方设计文化融合的代表之作,运用在近代建筑的地面铺装上,其色彩明快、清新自然,装饰图案构思巧妙、精致,具有持久生命力,成为我国具有近代设计文化特征的典型代表。通过对上海、宁波、厦门等早期港口城市的实地考察,从近代水泥花砖的产生历史背景分析入手,结合具体艺术表现形式进行细致阐述,以戈特弗里德·森佩尔的"编织性建构"理论为出发点,从建构文化去解析近代水泥花砖艺术,揭示其中的文化意蕴,助力当代设计学科的发展。
Modern cement tile is a representative masterpiece standing for the perfect combination of Chinese and western design cultures. Being widely applied on the ground decoration for buildings, it has become a typical example of China’s design culture identity with vibrant colors, fresh and natural styles, ingenious and delicate designs of decoration patterns and lasting vitalities. On the basis of Gottfried Semper＇ Plaited Construction theory, this essay focuses on analyzing the origin of modern cement tile, exploring its manifestation patterns and the aesthetic characteristics in that age by examples of early harbor cities like Shanghai, Ningbo and Xiamen, aiming at the recognition of the aesthetic value and artistic value of cement tile.
出处
《设计艺术研究》
2016年第2期39-46,共8页
Design Research
基金
2013年国家自然科学基金项目(51278341/E080101)
2015年宁波科捷建筑工程技术服务中心课题(2070030200193)
