金岸曙的“格调诗形论”与中西诗论之关联

Relevance between Jin An-shu's "Style of Poetry" and Chinese and Western Poetics

在朝鲜近现代早期诗歌发展史中,金岸曙的诗与诗论具有一定的影响力,故金岸曙对朝鲜近现代诗歌发展的贡献值得关注。"格调诗形论"是金岸曙在探索朝鲜现代诗歌形式时提出的"转折性"论述。金岸曙结合法国象征主义和中国"格调说"理论,阐述朝鲜的"新诗形式"。其中,与已接受10年之久的象征主义理论相比,将中国"格调说"延用至朝鲜诗歌并不具备多少可行性,可以说这是金岸曙的一次文化误读,但这误读本身也是词的"延异",因此金岸曙的"格调诗形论"是朝鲜现代诗歌形式的有益探索。

Jin An-shu＇s contribution to Korean modern poetry development should be valued as his poetry and poetics has a certain influence on the history of early modern Korean po- etry. ＂style of poetry＂ is a ＂turning point＂ in the exploration of modern poetry by Jin An- shu. He combined french symbolism and Chinese ＂style＂ theory to describe North Korea＇s ＂new poetry form＂. Comparing with theory of french symbolism which had been accepted for over ten years, Chinese ＂style＂ didn＇t have much feasibility. This is Jin＇s misreading, though, it＇s a kind of ＂extension and dissimilation＂. Jin An-shu＇s ＂style of poetry＂ is a useful exploration of Korean modern poetry.