摘要
从外在征象上看,先锋诗人李亚伟创作于20世纪80年代的许多诗歌的确有一种非理性式的反传统文化的姿态,但是这种反传统文化的姿态不是李亚伟诗歌的整体面貌。李亚伟在反传统文化的同时也在自觉地继承、借鉴传统文化,其诗歌中所蕴含的叛逆狂傲的道家精神、流浪奔走的行吟气质、醉生梦死的诗酒情怀即是明证。即使他肆意破坏既有的诗歌秩序、颠覆已存的艺术规范,也是出于一种文化重构的责任感和使命意识。他的这种非理性的反文化姿态,其实是现代汉语诗歌前进与发展所需要的一种文化气质。
From the external signs of his poems, Li Yawei, like many of his peers in the 1980, had an irrational cultural attitude, but in essence he was not against the culture mainstream in his poetry. Acting as a pioneer, he also inherited and learned from traditional culture conscientiously. His poems contain rebellious and haughty spirit of Taoism, implying his temperament of a troubabout and demonstrating poetic feelings. Even if he attempted to destroy the existing order of poetry and upset the existing norms of art, he reconstructed the senses of responsibility and mission. His irrational challenge to traditional culture is the temperament needed for the progress and development of modern Chinese poetry.
出处
《西南交通大学学报(社会科学版)》
2016年第1期41-48,共8页
Journal of Southwest Jiaotong University(Social Sciences)
基金
湖南省教育厅2010年重点课题"中国传统文化视野中的第三代诗歌研究"(10A020)
关键词
李亚伟
传统文化精神
道家精神
行吟气质
诗酒情怀
Li Ya-wei
essence of traditional culture
Taoism
temperament of a troubabout
poetic feelings