我国古代书画类文献的分部入类

The Division of the Ancient Calligraphy and Painting Literature in China

我国古代书画类文献的分部入类经历了一个长期而复杂的演变过程,《隋书·经籍志》以前的目录学著作中,绘画、图谱类文献主要是随其名题,各附本录,书法类文献则随文字学入＂经部＂＂小学类＂。《新唐书·艺文志》美术绘画作品及其批评著作入＂子部＂＂杂艺术类＂,南宋尤袤《遂初堂书目》进一步将书法类文献并入＂子部＂＂艺术类＂,明代官私目录＂法帖＂、＂画谱＂各自为类,清《四库全书总目》＂子部＂＂艺术类＂专设＂书画＂之属,使书法、绘画类艺术文献的分类定位更加合理而科学。

The division of the ancient calligraphy and painting hterature in China has experienced a long-term and eomphcated process. Atlas works before Sui Shu Jing Ji Zhi were usually classified according to their titles, while calligraphy works were classified into the Confucian and Xiaoxue Lei. Painting literature and works of criticism in New Tang book Yi Wen Zhi is classified into Zi Radical and Miscellaneous Arts. The southern Song dynasty YouMao made a further study and classified calligraphy into Zi Radical and Art. Official bibliography and private bibliography in Ming dynasty classified calligraphy and painting separately. Si Ku Quan Shu Zong Mu of Qing dynasty set up a separate classification for calligraphy which made the classification of calligraphy and painting literature more reasonable and scientific.