摘要
"七人影评"是香港"光复"后由南来影人组成的左派电影批评,立足于香港《华商报》、《华侨日报》、《大公报》、《文汇报》副刊,歌颂苏联电影,批判美国电影,引导中国电影。这一注重意识形态批评的左派影评模式,主导当时的香港电影批评,预演新中国初期的电影批评,在不同层面产生长远影响。
Film Criticism of Seven Critics is the left film criticism of filmmakers from the south after Hong Kong＇s ＂recovery＂, based on the supplement of Huashang Daily, Overseas Chinese Daily News, Ta Kung Pao, Wen Wei Pao in Hong Kong, praising Soviet films, criticizing American films, guiding Chinese films. This leftist critic mode emphasizing on ideological criticism led Hong Kong film criticism, rehearsed film criticism of new China, with long-term impact at different levels.
基金
国家社科基金西部项目"香港左派电影批评史研究"(15XZW008)
关键词
七人影评
香港
左派
夏衍
Film Criticism of Seven Critics, Hong Kong, the Left, Xia Yan
