摘要
通过对电影理论研究历史的回顾和梳理,考察国内现有的电影学术期刊不同时期的发展状况,结合迅速发展的媒介融合语境,探讨跨越不同艺术门类界限、扩展学术研究视野的电影学术期刊的编辑思路。
The article discusses the changes of editing thoughts of the film theory magazine by analyzing the different his-torical periods of three main film theory magazines in China since 1980 s and tries to find a reasonable solution under the context of media convergence.
出处
《浙江传媒学院学报》
2016年第2期10-14,151,共5页
Journal of Zhejiang University of Media & Communications