革命语境中的角色与台词——夏衍《在文化部整风中的检查》研究

A Research into Xia Yan's Self-Inspection in the Rectification Movements by the Ministry of Culture

政治运动中的个人检查,是一种特殊的文化现象,不似教堂忏悔,更非法庭辩护,值得专题研究。最近公开发表的《夏衍在文化部整风中的检查》(1965年1月19日)是一个案例,可借用社会角色表演理论外加社会建构理论框架进行分析:角色分配、剧本磋商的过程,定义了特定的社会情境;检查文本中的台词风格、潜文本现象,呈现了表演者的良苦用心。整风、批判和检查的大戏,还需放在更大的社会、历史和意识形态的泛文本语境中加以认识。

The self-inspection in political movements,not like Church confession,nor like court defense,is a unique cultural phenomenon,deserving monographic study. Xia Yan＇s Self-Inspection in the Rectification Movements by the Ministry of Culture,originally writtenon Jan. 19,1965,and published recently,is a case in point. It can be analyzed within the Social Role Theory plus the framework of social construction theory： the process of role assignment and script negotiations define a certain social context; and the wording style of the inspection text and the subtext demonstrates the deliberation and intention of the performer. Besides,the grand play of rectification,criticism and inspection need to be examined and understood in the pan-textual context of society,history and ideology.