当代重庆城镇电影的影像景观和精神空间

Image Landscape and Spiritual Space in Contemporary Chongqing Urban Movies

随着聚焦"城镇"空间及在此空间中当代中国人生存状态的电影作品的大量涌现,当代城镇电影逐渐走向自觉生产,构建起"都市城镇农村"三维电影空间,当代电影的新理论视域也转向了对全球化时代在地/本土性经验的表达。其中,以重庆城镇空间为主题的电影作为重庆媒介景观的重要组成部分,拓展了城镇影像空间的文化意象和审美形态:城镇影像中的废墟式的三峡库区空间、流动式的社会空间、地域色彩的人文空间、命题式的话语机制空间,不仅揭示了城镇电影独特的精神内涵,也呈现了时代下的城镇个体的生命体验。

With the appearance of the movies that focus on town space and townspeople＇s living conditions in contemporary China,the movies about contemporary towns have been produced consciously,which constitutes the three-dimensional movie space of ＂urban-town-country＂. The new theory of contemporary movie has turned to the expression of the experience of natives in the era of globalization. The movie,taking Chongqing urban space as the theme,is an important part of Chongqing media landscape. It constitutes cultural image and aesthetic form of urban image space： the ruins of the urban image of the Three Gorges reservoir space,mobile social space,humanistic space with local colors,and discourse space of proposition,which reveals the unique spiritual connotation of urban movies as well as the life experience of the urban individuals in times.