期刊文献+

试谈高职院校钢琴教学的序进层次

下载PDF
导出
摘要 高职院校的学生钢琴学习大多数零起点、基本功练习认识不足,容易形成"娱乐式"练琴,出现"铁钉耙"式、"大闸蟹"式的两种问题。在钢琴教学中,手腕弹性放松、手臂重量运用和身体气韵贯通既是钢琴演奏的关键技能和环节,又是钢琴教学重要的序进层次。教师应具备全局观念,大处着眼,小处着手,落实每一个环节,环环相扣,保证学生的学习能够持续发展。 Because most of the students in higher vocational colleges begin playing the piano from ground ze- ro, do not realize the importance of basics training, and are easy to form the "entertainment" practice, they com- monly have two types of problems, stiffness of wrist arm, and incontrollable arm force. During piano teaching, to e- lastically relax wrist, use arm weight and make the flow of vital energy in body smooth are not only key skills and links in piano playing but also important sequence of levels in piano teaching. Teachers should have the overall concept, pay attention to important points, think big, start small, implement each link of the chains to ensure that students' learning can continue to develop.
作者 贺丹生
出处 《高教学刊》 2016年第11期245-246,共2页 Journal of Higher Education
关键词 钢琴教学 学习理论 弹性放松 手臂重量 气韵贯通 piano teaching learning theory elastic relaxation arm weight make the flow of vital energy inbody smooth
  • 相关文献

参考文献4

共引文献41

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部