生态视域下文学的“大我”与“小我”

On “the Greater Self ” and “Ego” Under the Vision of Eco-literature

自文学诞生之初"大我"与"小我"就客观存在,二者不能割裂,具有相对性和交融性。"小"中蓄"大"、和生共荣是生态时代的理性呼唤。在生态视域下,文学"大我"与"小我"的内涵得到了升华和扩张,这是生态危机、生态责任、文学发展规律共同作用的必然结果。生态美学引导下的文学的蕴藉属性为"小"中蓄"大"提供了审美的实现途径。中国古代"天人合一"的传统思想构铸了"小"与"大"和生共荣的生态理想。多元共生的整体性建构思路创设了生态理念下的宏大叙事。

There existed an objective relation between＂the greater self ＂and＂ego＂at the very beginning of literature, they are melted and connected relatively.＂small＂within＂great＂, living in harmony, which becomes a reasonable need for this time. Under the vision of eco-literature, the connotation of them will be elevated and expanded. Also this is an inevitable result caused together by the crisis of ecology, the ecological responsibility and the law by which literature develops. The connotation of literature guided by eco-aesthetics, which is defined as ＂the greater within smaller＂, offers us some way on how to taste beauty. Besides the ancient Chinese theory that man is an integral part of nature has described a harmony picture of ecological ideal, and then the idea of multiplex symbiosis creates a grand narration.