摘要
在面对中西方艺术比较时,张大千存在明显的矛盾性。他一方面试图通过中西艺术"意境、功力与技巧"的一致性来改变中国画面对西方艺术的弱势现状;同时他又强调中国画"非写实性"传统远远高于西方机械临摹现实的绘画体系;这种矛盾性也体现在他对中国画科学性的论证上。此种欲拒还迎的态度体现了张大千面对中国画坛流行的进化论评价体系的矛盾心态,这也是转型时期画坛中传统派画家存在的典型特征。
When comparing Chinese art with its Western counterpart,ZHANG Da-qian was obviously confronted with contradiction.On the one hand,he attempted to improve the weak status of Chinese art when it is faced with the Western one through the consistency of the two in aspects of"artistic conception,grounding and technique."Meanwhile,he stressed the priority of the non-realistic tradition of Chinese paintings over the Western stiff copy of the reality.Such contradiction is also shown in his argument concerning the scientificity of Chinese painting.Such attitude that one intends to reject something but has to accept it showed ZHANG's contradiction when he faced the evolutionary evaluation system popular in the circle of Chinese paintings.This is also the typical characteristics among the traditional painters during the transitional period.
出处
《内江师范学院学报》
2016年第5期27-31,共5页
Journal of Neijiang Normal University
基金
2013年四川省教育厅人文社会科学(张大千研究中心)一般课题(ZDQ2013-25)
关键词
张大千
中西艺术
比较
ZHANG Da-qian
Chinese and Western Art
comparison