摘要
传统小说的某些内蕴和议题,一旦遭遇理论的撞击,就会产生新的意义和价值。《三侠五义》正有这样的特点。首先在叙事形式上,它的"平话习气",体现的是叙事的"平民化"立场。这是对"文体等级"的颠覆,对"平民文学"的回归。在这种"平民文化"中,一个最显著的特征便是叙述的"民主化"倾向。这里所谓的"民主化",是就其内在的文化立场和文化精神而言的,专指一种"文化型态"而非政治概念。其次在人物塑造中,"他之中决不可有你,也不可有我"的观照视角,体现的恰是一种摆脱了"主体性原则"的"他者性原则"。它不但可为当今的小说创作提供一种借鉴,也可为如何对待他人、如何建立人际关系,提供一种具有现代价值的本土资源。
Some implications and topics in the traditional novels,once collided with theory,will take on new meanings and values,which are typical of the novel,entitled The Three Heroes and Five Gallants.Firstly,when it comes its narrative form,its narration is featured by the civilian culture,which is a subversion of style grade and a restoration of civilian culture.The most prominent feature is its trend of democratization in narration.The so-called democratization refers to the cultural standpoint and spirit,designated for a cultural pattern instead of a political idea.Secondly,in the character portraying,the perspective that " he is him,neither you nor I" reflects the otherness instead of subjective principle.It not only offers an example for today's novel creation but also provides local resource for modern value for coping with others and establishing proper interpersonal relationships.
出处
《唐都学刊》
2016年第3期122-128,共7页
Tangdu Journal
关键词
《三侠五义》
叙事特点
人物塑造
平民文化
他者视角
The Three Heroes and Five Gallants
narrative features
character portraying
civilian culture
onlooker's angle of view